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Unknown painter of landscapes who helped to represent the Roman countryside, as an expression of an ideal of pastoral life, the inspiration of a new culture that differs and spreads throughout the 18th century in response to the Baroque, considered the cause of disorder and bad taste. In harmony with the principles developed in the academic field of Arcadia, a balance between nature-reason, intellect and imaginative fantasy is also restored pictorially (ut pictura poesis-Quinto Orazio Flacco). The painting, fruit and expression of the times that the painter lives, shows a very rare perspective cut of the Tiber, depicts a locus amoenus, a nature that is an indication of a peaceful and serene existence, out of time, aimed at a stable and peaceful quiet. . A still image of an idyllic moment fixed in its existential temporality. Pictorial, the canvas takes on a balanced register, where the measured spaces are in perfect harmony with the landscaped green in dense but precise matter. All this scenic layout of Dughetti's memory certainly derives from a common ductus and in keeping with the artists of his time such as Paolo Anesi (Rome 1697.1773) or Paolo Monaldi (Rome 1710-1779). His work is the product of a culture with precise literary and philosophical references from the Arcadian circles of his time "ASORstudio